The source picture is a printout of a photo of a photo of a photo of a (Polaroid) photo which I took of her in 1999 and which is lost -- like all Roy Batty's moments and Obbly herself -- in time. She was also the source for The eyes of a killer, 2001 and appeared (twice) in Self-portrait as Noburo Kuroda's kitten, 2001.
This is an object (also abject) lesson in patience a.k.a. not adding a layer of paint until the one beneath it has dried properly so that it doesn't pick up the pigments and screw up the the transparency and tonality of the new layer. Oops.
A rescue mission was launched.
Also have to really make sure that the back toes of the back foot curve away from the edge of the canvas so as to avoid the creation of impression that the composition is jammed into the right edge.
Studio diary of Stephen Clover, more-or-less self-taught painter and printmaker. Born in 1974. Started painting in 1999. Current project: working towards a solo show of paintings in 2020. Click here to browse an (incomplete) catalogue of my work; here are the tutorials.
Knitted Māori Dolls
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Te Maari has created a series of stuffed dolls, made of felt (employing
hand spun Shetland, Corriedale and merino wool), complete with knitted
apparel. The...
Stone Blind Interactive Installation
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Vicky Kapo and I have been friends for decades, but it wasn't until she
visited Las Vegas in early May 2016, that we took the opportunity to
collaborate o...
I met a man who wasn’t there
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Back in January, David Bowie died. There was an outpouring of grief and
many, many think pieces, tributes etc., that I didn’t feel I could add
anything. Th...
DOMINGO, LOS DIECISIETE DE ENERO VEINTE-DIECISEIS
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A new collaborative work between myself and JK Russ titled 'The Release',
2016, collage and oil on metal, 14” x 11”. We usually start with a
regular-sized...
Dear eyeCONTACT reader
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This blog is pleased to announce it is now EyeContact the website, at
www.eyecontactsite.com.
If you have the blog site bookmarked or linked, please change...